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See How Small: A Novel, by Scott Blackwood
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A riveting novel about the aftermath of a brutal murder of three teenage girls, written in incantatory prose "that's as fine as any being written by an American author today." (Ben Fountain)
One late autumn evening in a Texas town, two strangers walk into an ice cream shop shortly before closing time. They bind up the three teenage girls who are working the counter, set fire to the shop, and disappear. SEE HOW SMALL tells the stories of the survivors--family, witnesses, and suspects--who must endure in the wake of atrocity. Justice remains elusive in their world, human connection tenuous.
Hovering above the aftermath of their deaths are the three girls. They watch over the town and make occasional visitations, trying to connect with and prod to life those they left behind. "See how small a thing it is that keeps us apart," they say. A master of compression and lyrical precision, Scott Blackwood has surpassed himself with this haunting, beautiful, and enormously powerful new novel.
- Sales Rank: #491513 in Books
- Published on: 2015-01-20
- Released on: 2015-01-20
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.00" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 224 pages
Amazon.com Review
The Amazon Spotlight Pick for January 2015: Though based on a real unsolved murder of three girls in Austin, Texas, See How Small is not a traditional mystery or thriller. Author Scott Blackwood moves back and forth through time in his novel, examining multiple dimensions of the fallout from a heinous crime. For those looking for a neat bow tied on the end of a grisly, inexplicable murder, this is not the novel for them. But for those in search of a deeper way to understand the darker, more inexplicable side of life, and to enjoy some excellent writing in the process, See How Small has much to offer. Blackwood uses exceptional prose—along with his nonlinear storytelling—to explore grief, memory, and even how it feels to have been part of a crime years afterward.--Chris Schluep
Review
"A genre-defying novel of powerful emotion, intrigue, and truth.... Reminiscent of Alice Sebold's The Lovely Bones and based on a similar, still-unsolved 1991 case in Austin, Tex., Blackwood explores the effects of senseless crime on an innocent, tightly knit community, using deft prose to mine the essence of human grief and compassion."―Publishers Weekly (starred)
"Horrible deaths of the innocent, and the various means and tactics by which the living manage to go on in the aftermath of unsolved horror, form the heart of Scott Blackwood's haunted and haunting novel, See How Small. His prose is crisp and his narrative approach is fresh and inventive, calmly pushing forward, with characters rendered so convincingly you think about sending cards of condolence or calling with advice on the investigation."―Daniel Woodrell, author of Winter's Bone and The Maid's Version
"See How Small is superb. In prose that's as fine as any being written today, Scott Blackwood plumbs the depths of a story that is alternately haunting, terrifying, and achingly tragic. Blackwood illuminates the human condition even as he breaks our hearts."―Ben Fountain, author of Billy Lynn's Long Halftime Walk
"Scott Blackwood is a wizard, and in See How Small he puts his skills to dazzling use as he anatomizes a town and a crime. Best of all is the deep empathy he brings to his characters, innocent and guilty, wise and confused; all of them are given the grace of his understanding. A vivid and astonishing novel."―Margot Livesey, author of The Flight of Gemma Hardy
"See How Small is the sort of book that is so good, it's difficult to even talk about it. You want to just place it in people's hands and say, 'Shhhhhhh, just slow down and read this.' Blackwood takes the most devastating story imaginable and lifts it-heart and soul-into something transcendent."―Peter Orner
"Similar...to Alice Sebold's The Lovely Bones, this lyrical, abstract, and less sentimental novel by Blackwood...may haunt literary fiction readers long after the unsettling ending."―Library Journal
"The novel has much to say about the mysteries of the human psyche, the far-reaching effects of violence, and the disparate ways grief works on people."―Booklist
"Emotionally layered."―Chicago Magazine
"A brilliant, heartbreaking meditation on grief, parenthood and time.... [G]rounded by piercing details and a palpable sense of place.... This novel is surreal, emotional and nuanced."―Adam Morgan, BookPage
"A rich tapestry of human failing and hopeful striving."―Shelf Awareness
"Mesmerizing.... In lyrical, often dreamlike prose, Blackwood illuminates the nature of grief and the connections among the living and the dead."―Kim Hubbard, People
"Compassionately examines the fragile psyches of the individuals left behind in the haunting wake of murder. Instead of a decisive close to a horrific crime, there is only remembrance; and in the case of this thought-provoking novel, remembrance fused with literary invention and at times even grace."―S. Kirk Walsh, New York Times
"Fans of HBO's The Leftovers may find this book appealing, because both offer grim looks at the aftermath of life-altering events."―Megan McLachlan, Pittsburgh Post-Gazette
"[A] slender, elegiac novel.... [that] traces the lingering tendrils of a small-town tragedy."―Tricia Springstubb, Cleveland Plain Dealer
"Small things keep us apart, and sometimes those same small things keep us together, at least whenever that's possible. It's a kind of paradox that Blackwood explores with compassionate eyes, beautifully poetic writing and artistic fearlessness. See How Small is a brutal, necessary and near perfect novel."―Michael Schaub, NPR's Best Books of 2015
"Strikingly creepy.... Blackwood is an excellent stylist."―Kirkus
"Blackwood's novel is short in length but expansive in ambition, capturing the ways in which characters scarred by the crime react to having their lives torn apart.... It achieves something significant by conferring dignity to the victims: the girls whose lives were cut decades short and the families who were left behind to stumble in the aftermath."―Sean Kinch, Chapter16
"In this radiant retelling, rather than connecting the dots...the author trains his brilliant microscope on each one, enabling us instead to glimpse infinite possibilities."―Gina Webb, Atlanta Journal Constitution
"Lyrical and elegiac."―Amy Gentry, Chicago Tribune
"Through rapid-fire chapters...Blackwood explores the ways we use story and memory to help ourselves cope with devastating loss and trauma.... Throughout this stirring narrative sweep constant fires.... A powerful telling."―David Duhr, Dallas Morning News
SEE HOW SMALL
"The greatest novels are somehow more than just novels. They challenge their readers and ferry them through madness toward unknown and undiscovered places.... See How Small is just such a book.... With beautiful language and sometimes surreal passages, [Blackwood] delves into the various characters connected to the deaths of the young women.... A tour de force. It is both epic and intimate."―William Jensen, Texas Books in Review
"A thoughtful portrait of a grieving town."―Joumana Khatib, New York Times Book Review
About the Author
Scott Blackwood is the author of two previous books of fiction, In the Shadow of Our House and We Agreed to Meet Just Here, and the recipient of a Whiting Writers' Award. He's also the author of The Rise and Fall of Paramount Records, a book of narrative nonfiction. A long-time resident of Austin, Texas, Blackwood now lives in Chicago and teaches fiction writing in the MFA program at Southern Illinois University.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Confused
By Cortley Fisher
The book is a snapshot in the lives of many beginning before the tragedy, followed by the actual tragedy & then the aftermath. I found the book very hard to follow with all the different people explaining their sides & how they were dealing with the loss of these three girls. While some questions were answered the book left a lot unanswered. While I understand the author's reasoning for doing this I feel it leaves me more confused than when I began the book.
26 of 26 people found the following review helpful.
Negative reviewers missing the mark
By T. Fisher
I almost never write reviews, but after seeing all of the negative reviews, along with with the poor average rating, I felt compelled to add my two cents.
Let me address some of the common complaints that are being brought up. Some people are saying that there are too many characters to keep track of, and the story line jumps around too much. This perplexes me. For most of the book, there are about six narratives, and once these characters are established, some associated perspectives get thrown in towards the end. All of the characters revolve around the same event, meaning that they all live in the same world together. If you get confused on who exactly someone is, you'll be able to remember based on the context of their story line. If you're a person who takes a month to finish a book (this one's barely over 200 pages), then you might have to jot some notes down, but if you read fairly consistently, you should be fine.
I also don't understand the complaint about the story line jumping around. The characters reflect heavily on the murder that shapes the novel, so there will be some jumping around, but not enough to confuse most readers. In fact, the story line is fairly linear, and when it's not, you'll be able to figure it out.
I believe that part of the problem with some of the other reviewers was that they thought this was going to be a murder mystery, but it most definitely is not. It is about how one singular event can alter so many lives. In fact, you never find out who committed the murders, but that's not the point. It's a haunting, atmospheric novel that one should savor, not fly through. This is not Gone Girl, so don't have those expectations. If you want to read a beautifully written book with wonderful prose, then give it a chance. Don't let the naysayers persuade you.
27 of 28 people found the following review helpful.
Mysterious in a profound way. (Not "a mystery.")
By Debra Monroe
This novel is amazing. I think it's garnered so much attention here and in the UK because it IS innovative in the way experimental novels are, but not innovative for the sake of "play" or in metafictional way. It's innovative because that's the only to tell this realistic story of calamity and its aftermath. I am grateful for a book that was able to depict how the possibility of crippling grief is the price we always pay for love, and sometimes this turns out to be a very unfair bargain. I agree with the NPR reviewer who called this novel "brutally necessary and near-perfect." (And I cringe when people compare it to Alice Sebold--which raises readers' expectations that it will be a supernatural whodunit with dead girls turning into heroines who solve their own murder.) This book steps outside of feel-good genre expectations and their tidy resolutions: mysteries that always get solved; separated loved ones who always get reunited. This book is more true to life than that. It has the courage to say that we sometimes must go on living without answers we want. If you like thrillers and "mystery stories," this is not for you. If you're interested in the mystery of life, death, and love, you will think that this is one of the best novels you've read in years.
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