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Scoop, by Evelyn Waugh
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Lord Copper, newspaper magnate and proprietor of the Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another.Acting on a dinner-party tip from Mrs Algernon Smith, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. One of Waugh's most exuberant comedies, Scoop is a brilliantly irreverentsatire of Fleet Street and its hectic pursuit of hot news.
- Sales Rank: #840958 in Books
- Published on: 1977
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 321 pages
Amazon.com Review
Evelyn Waugh was one of literature's great curmudgeons and a scathingly funny satirist. Scoop is a comedy of England's newspaper business of the 1930s and the story of William Boot, a innocent hick from the country who writes careful essays about the habits of the badger. Through a series of accidents and mistaken identity, Boot is hired as a war correspondent for a Fleet Street newspaper. The uncomprehending Boot is sent to the fictional African country of Ishmaelia to cover an expected revolution. Although he has no idea what he is doing and he can't understand the incomprehensible telegrams from his London editors, Boot eventually gets the big story.
From the Publisher
8 1-hour cassettes
About the Author
Evelyn Waugh was born in Hampstead in 1903 and educated at Hertford College, Oxford. In 1928 he published his first novel, Decline and Fall, which was soon followed by Vile Bodies, Black Mischief (1932), A Handful of Dust (1934) and Scoop (1938). During these years he also travelled extensively and converted to Catholicism. In 1939 Waugh was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, experiences which informed his Sword of Honour trilogy (1952-61). His most famous novel, Brideshead Revisited (1945), was written while on leave from the army. Waugh died in 1966.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Fall from Grace
By Pierre C. Ruette
His humour is is an inverse reflection of his real closed mind mentality. It's funny, but dripping with excess bile. I really enjoyed reading Waugh as an adolescent and obviously his baleful societal characterisations must have gone over my head at the time and I just found them as humorous as my other favorite writer of the time P.G. Wodehouse. Waugh's early short stories now make far more depressing reading. Wodehouse continues to pass the funny bone test irrespective of time. Waugh remains a great weaver of words but I cant help thinking he's never met a cat he wouldn't cheerfully kick in the stomach without a second thought, if it dared come near him.
0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
I enjoyed this book very much
10 of 18 people found the following review helpful.
Half Scoop at best
By Bill Slocum
Having just read Waugh's "Sword Of Honour" and being familiar with his novelistic satire in "The Loved One," I expected more from Waugh than I got from "Scoop." Was he at fault, or me? It's clear he was writing a lark here, something dashed off between more substantial works. Maybe I shouldn't have expected more. But given his abiding interest in politics, travel, and social mores, I thought "Scoop" a desultory endeavor from someone who could have delivered much more.
His analysis of the newspaper trade is seen as pungent and jabbing by some, but it comes off as forced and fantastical. Was there ever a newspaper that sent off reporters with unlimited expense accounts, allowing them to buy hollowed out sticks and collapsible canoes on a lark? Rewrite desks transform barely-coherent telegrams from lazy, drunken scribes into five-column front page articles, while editors gleefully tear apart their front pages at the 11th and one-half hour to accommodate dispatches from their reporters the darkest corners of the Third World. Yes, barroom journalism is still practiced occasionally by the likes of Jayson Blair, but if life was ever really this good in the Fourth Estate, there wouldn't be so many ulcers in newsrooms. Even in the 1930s, reporters worked harder than this, and Waugh knew it. The shame is the real work of journalists can be made every bit as silly and tawdry within the realm of true parody, but Waugh opted to pretend they only could be bothered to leave their hotel rooms to yell at their servants that the ice on their head compresses needed refreshing.
Waugh can write, he crafts amazing sentences, and he is capable of developing some probing lines of analysis around his myriad of characters. The middle part of this book is pretty good, not great but energetic, but it takes 100 pages to get there, and 50 more pages of denouement after its over to find out how everyone turned out. The lead character, the rustic rube William Boot, is no different upon leaving the strange country of Ishmaelia than before arriving, except for being taken for a bit of a ride by a shadowy German woman in one of several subplots that taper off into nothingness before the 321 pages run out. Boot seems a tribute to the complacency of the landed class, and like Waugh's ethnic epithets at the natives and others sprinkled liberally in the book, this leaves an unnecessarily sour taste. Waugh had a narrow perspective at times, but as a writer was usually more reflective, and less reflexive, than this.
Even the main business of the novel, Boot's big story that gives the book its name, is handled perfunctorily. It's neither great comedy or very dramatic. From what I gathered, the revolution was snuffed out in less than half a page when some angry Swede bulled through a porch of pinko grandees. Please tell me if I missed something here, but I don't think so.
"News is what a chap who doesn't care much about anything wants to read," Boot is told by a companion, Corker, who makes a brief turn in the narrative before melting away like so many others in this maddeningly inconsistent book. It's a funny line, but it doesn't hold up to any deeper analysis. Nor, sorry to say, does "Scoop."
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