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From the Kennedy White House to homes for the Astors, Rockefellers, de la Rentas and Gettys, the American firm Parish Hadley has set a standard for interior design over the last 60 years. Using the homes of famous clients, this book provides a room-by-room exploration of Parish Hadley design.
- Sales Rank: #276532 in Books
- Published on: 1995-11
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 12.50" h x 9.50" w x 1.00" l,
- Binding: Hardcover
- 181 pages
- Parish-Hadley: Sixty Years of American Design
From Library Journal
The unschooled, instinctive, and established interior designer Sister Parish was looking for assistance with her design firm when she hired Parsons School of Design-trained Albert Hadley. That began the Parish-Hadley style, combining Parish's "cabbage rose and Aubusson" with Hadley's "modern, pared-down approach." Comprised of personal reminiscences from the principals and a history of the firm, this well-illustrated work presents an overview of their work together as well as Parish's alone, most publicly her redecoration of the White House for the Kennedys, and shows the timelessness and continuity of their design style that is the trademark of their association. With so few books documenting individual interior designers and their work, interior design schools and large collections will find this a valuable work.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Unlike architecture, in which such practitioners as Frank Lloyd Wright and Mies van der Rohe are recognized by many people outside the field, the rarefied world of interior design has few popularly recognized icons. But the late Sister Parish and her partner Albert Hadley certainly fell into that category. Their impact both inside and outside the profession of decorating has been subtly powerful; their use of glazed chintzes, bright colors, handcrafts from patchwork quilts to rag rugs, comfortable upholstery, and other touches has influenced many of the country and casual trends today. Chronicled here are the lives and experiences of the two principals and their design philosophy. More important, though, are the approximately 150 color photographs, examples of their work and testimonials to their style. A special chapter documents Sister's 1961 work done on the Kennedy White House. Barbara Jacobs
Most helpful customer reviews
17 of 17 people found the following review helpful.
Too Important to Be Out of Print
By Nancy Robertson
I borrowed this remarkable book from the library, and it's a treasure. Many years ago Sister Parrish, the chintz-loving society decorator who helped Jackie redo the White House, teamed up with Albert Hadley, a polite genius of timeless, clean design and proportion.
The result of this union of opposites was a partnership made in decorating heaven. In fact, the "marriage" produced wonderful offspring: Marriette Himes Gomez and Mark Hampton both got their start here.
If you'd like to see how many of the top American names of the 20th century lived, Jackie, Nelson Rockefeller, Babe Paley, it's all here. And if you'd like in depth exposure to the design principles of two American masters, you couldn't ask for a better source.
What a shame this out of print book costs $250. If it were $50 I'd buy it in a one-click minute. Attention book publishers, you need to reissue this book for the design-starving masses.
17 of 18 people found the following review helpful.
Brilliant book for the serious student of interior design!
By A Customer
A beautiful book, certainly more valuable than a mere 'coffee table' book. If one is serious about interior design, seeing and understanding what these amazing people did to the art is imperative. The photographs show rooms that will stand the test of time and make you salivate over the treasures. What an incredible legacy they have, american design owes them beyond measure.
9 of 9 people found the following review helpful.
A Tribute to One of America's Best Design Firms
By Classicdude
Pulled from the archives of the legendary interior design firm, PARISH HADLEY, SIXTY YEARS OF AMERICAN DESIGN was published in 1995, the year after Sister Parish's death at age 84 -- or 91, depending. Unfortunately, failing health apparently prevented her active participation in the book but previous interviews and recordings, along with anecdotes from employees, provided information. Of course, long-time business partner Albert Hadley, still in practice now on his own at age 87, was able to help make a fitting tribute to the firm, one of the country's finest in its heyday. Sadly, Parish-Hadley is now defunct, ruined by the last associates before the Millenium.
Although no photographs were done expressley for the book, the projects that did have a shot or two are interesting studies. After the first section on Parish and Hadley, the second part shows examples of rooms in the categories of Arrivals, Living Rooms, Dining Rooms, Libraries, Bedrooms, and Garden Rooms. The third part tells the story of the decoration of the family rooms of the Kennedy White House, complete with documentary photos. And the fourth part shows multiple homes of various clients, most famous, all rich.
In the sixty years, undoubtedly there were many incredible projects that were not photographed for reasons of privacy and it is a shame for the readers and for the sake of a record that not even a mention is made of these. Evidently either Parish or Hadley at least supervised the projects pictured here. However, the strong back-up of talented assistant decorators, such as Bunny Williams, Kevin McNamara, David Easton, Brian McCarthy and David Kleinberg, who later went on to successful careers on their own, are only minimally mentioned if at all. And nothing is mentioned of the in-staff architects, Michael Shell, David McMahon, Paul Engel, John Tackett and Mark Ferguson among others, under the direction of vice-president Harold Simmons, who provided the magnificent "bones" of so many of the projects in the zenith years of the firm; all left before the downfall to start successful practices of their own. A listing of projects with their locations and dates would have been interesting, as would have been a write-up on the talent that trained at the firm. And strangely, there are none of the famous Albert Hadley sketches or renderings of any kind.
Although flawed and much less than it could have/should have been, this book is none-the-less an excellent reference for all interested in traditional residential design. Without a doubt, a MUST HAVE for all decorating libraries.
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